Arts & CultureAustralasiaFeaturesWorld
Defying Empire: National Gallery of Australia’s Indigenous Triennial paints unvarnished history
“It just says it all on the bottle. Not to be taken. Power to remove.”
A portrait of his grandmother, whom he never met, sits between depictions of cleaning products White King and Vanish in Blak Douglas’ triptych.
On the floor in front of them lies a series of highly polished stickers scanned from a tin of floor polish, bearing the name “Piccaninny” and…